Patchwork Fish!

This is a fun shaker card that has bubbles or snow inside the fishbowl! Shaker cards are simple to make once you have made your first one (I always found them really intimidating) and the swish of the ‘bubbles’ adds another dimension to the card.

The background patchwork paper is from the Joanna Sheen Paper Collections Pad (Volume 3) – there’s a blue version of this pink patchwork too – so pretty. The size of the card is 8” x 8”  – yes I use this card size a lot and love our own brand cards that size as they really are 8” x 8”, whereas most manufactured cards measure the envelope or have slight tolerances with size etc..

The shaker part is created like this:

  1. Take a piece of white card about 4” square and put to one side for now. Cut a piece slightly larger say 4 ¼” square. Stamp or die cut a fish bowl (Sue Wilson does one on the website CED21001) on the larger piece and attach to the centre of the card. Now cut away the centre of the fish bowl. Cover the back of the fish bowl with some acetate.
  2. Die cut some tropical fish (Signature dies Tropical Fish) in white card and colour as you please. Glue these onto the smaller piece of card, checking that you are happy with their placement by hovering the fishbowl over the top.
  3. Place a strip of foam tape all the way around the smaller piece of card – and I mean all the way around. Cracks between the corners can spell disaster. One way to combat this is to place a strip all round and then cover that strip with yet another but staggering where the cracks are.
  4. Now you need to cover the fish and sticky layers with your fishbowl square – do this carefully and leave a small gap once you have most of it covered – pour in your glitter or snow effect crystals or seed beads, whatever you want to use. Don’t add too much or you will just obscure the fish. Now seal down the last bit of tape.
  5. This can then be added to the card and should shake very satisfactorily!
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Good night bunny

I made this card some time ago and didn’t end up giving it away at all – do you get cards like that? I just loved it so much, I have it standing on my craft room window sill. I adore the Holly Pond Hill artwork, love cards with lace, love rabbits… OK you get the drift, I loved all the ingredients in this one!

So the main image comes from the Holly Pond Hill CD. There are so many beautiful ideas on there that can suit all ages. This rabbit saying its prayers is just delightful I think.

The first thing I wanted to solve when I made this card (before the days when I had die cut lace borders to call on!) was how to get some pretty lace behind the main image. This I have achieved by using a lace handkerchief. Take a panel of cream/white,whatever you choose, card measuring 5 1/2” x 7 1/2” now take a standard lace hanky and gather the middle together – in the end I chopped out a bit of the middle to give a less bumpy effect – and arrange it so that it goes neatly around the panel. I used lots of double sided tape, glue gel and anything else that came to hand kicking it into neat submission!

The main image is mounted onto some lilac card to give it a bit of strength and then I added that using Pinflair as the lumps and bumps are easily coped with when you use a 3D type glue!

The backing paper comes on the CD and I cut a few bunnies from the leftover strip to decoupage those – ta–da… card finished!

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A murmuration…

If you have ever been lucky enough to see a murmuration of starlings – where the birds swoop and swirl in amazing aerial ballet creating patterns in the sky – it’s not something you are likely to forget. But have you ever wondered why it is called a ‘murmuration’?

You were probably too enchanted by the magical sight to notice the ongoing background murmur – or murmuration – as caused by the beating of 10,000 pairs of wings at once. And that’s where the term comes from. Most of the collective nouns we use date back to the mid-15th century. But the origins of most collective bird and animal nouns are not always as straightforward as they first appear.

Some are named after specific habits, such as ‘a descent of woodpeckers’, possibly due to their penchant for dropping down from great heights onto ants or ‘a leap of leopards’ or ‘a busyness of ferrets’ while others focus on a personality trait that we believe them to possess.

For instance, the number of sinister sounding nouns for crows, such as murder, mob and horde, probably come from medieval peasants’ fears that the mean-looking birds had been sent by the Devil or were witches in disguise.

Similarly, ‘an unkindness of ravens’ could stem from an old misguided belief that the birds were not caring parents, sometimes expelling their young from their nests before they were ready.

Many bird species have more than one collective noun. As with crows, there are many terms to describe finches (charm, trembling and trimming) and geese, depending on whether they’re flying (skein, wedge, nide) or gathered on water (plump) or land (gaggle).

A book by Chloe Rhodes An Unkindness of Ravens: A Book of Collective Nouns is fascinating. In it she explains that, unlike proverbs, rhymes or homilies, many of these delightful names endure because they were recorded and published in ‘Books of Courtesy’ – handbooks designed to educate the nobility. So an early sort of ‘one upmanship’ to ensure you made it plain you belonged to the ‘right’ set, something like the Sloane Ranger speak of the 1980s perhaps!

Here are some of my favourite bird terms:

  • A wake of buzzards
  • A commotion of coots
  • A murder of crows
  • An asylum of cuckoos
  • A swatting of flycatchers
  • A prayer of godwits
  • A conspiracy of ravens
  • A parliament of rooks
  • An exultation of skylarks
  • A murmuration of starlings
  • A chime of wrens
  • A booby of nuthatches
  • A quilt of eiders
  • A mischief of magpies
  • A wisdom of owls
  • A committee of terns
  • A descent of woodpeckers
  • A scold of jays
  • A charm of goldfinches
  • A fall of woodcock
  • A deceit of lapwings
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Tasting olive oil and rocket fuel!

Continuing my holiday adventures…

Yesterday, we docked at a town called Kotor in Montenegro. It was quaintly medieval in many places and very beautiful. I will admit to complete ignorance about Montenegro, the only time I have heard of it was as part of the Eurovision Song Contest but that’s faintly embarrassing! The tour we chose took us around the town and on to a small family olive oil producer.

Left to right: Here I am taking a wander around the old town of Kotor. Ruschka and Mischka the weed control management team. The olive grove.

Our first stop, once we arrived on the farm, was to meet Ruschka and Mischka the weed control management team. Mischka is 18 (on the right) and expecting a baby donkey soon and we shared some of the little welcome doughnuts we had been handed. We didn’t share the welcome drink we were given, I took one sip and immediately passed the rest of the glass to Richard… 50 per cent proof home made brandy… made variously from grapes, apples, plums or, I suspected, any fruit they had handy. It wasn’t unpleasant but wow it blew your head off! They didn’t call it rocket fuel for nothing!

We then moved on to the 300-year-old olive press and machinery, so beautiful, and lovely that it has been preserved. There was a careful explanation of how the oil is extracted. The rubbish/paste left over they reuse as compost material and animal feed. They had goats and sheep for cheese and rabbits for… OK, I will gloss over that one but I kind of assume they may not have kept 20 or so rabbits as pets. They showed us their brand new modern machinery, much less work for the donkeys than the old version, hence their transfer to weed management!

Then we had a lesson on how to taste olive oil and a serious lecture on how the stuff we are all buying is very unlikely to be proper olive oil as most of the supermarkets sell oils that are hugely blended and taste nothing like proper olive oil. Well having tasted some I suspect he was right, it was far fruitier and a little more peppery than the big bottles I buy in Tesco… and a 100cl bottle cost 3 euros direct from the farm, so that is about £25 a litre. Hmm, now what do I pay, about £4.99 at most for a litre. So I may change my ways, I’ll look more carefully when I get home.

Left to right: The old and the new olive presses… and the finished product.

They then gave us a gorgeous lunch, with cheese from their sheep, prosciutto ham made at home by the mother, eggs from their chickens and some lightly battered courgettes. Followed by apple cake (yup made by Mum) and Turkish coffee (fab if you like strong coffee). The cheese was interesting. One was a pale soft cheese which tasted like a mild Lancashire or something along those lines. Then they take some of those cheeses and place them in wire mesh cages and hang them over the patio (!) for three weeks. This dries them out and they then immerse them in olive oil. The resulting cheese was quite firm and almost had the strength of a Parmesan.

Then back to the ship where we found an invitation to eat with the captain tonight, aha … maybe I can persuade him to try card making, he already does various crafts like wood carving etc. in his spare time… so who knows!

The photo at the top is of the beautiful fish filled river and ponds in the town of Kotor.

 

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The Proof is in the Pudding

Hold on to your hats – the fourth and final instalment of the Swaddlecombe Mysteries will be available from mid-October! In ‘The Proof is in the Pudding’, Christmas comes to Swaddlecombe and, as the decorations go up, so does the body count. Victoria and Albert have their work cut out to identify ‘who dunnit’ in this frenzied festive free-for-all.

My partner in crime writing, Julia Wherrell, and I have had a lot of fun re-visiting our fictional village of Swaddlecombe and seeing what Victoria and Albert, the Reverend Ruminant, Jean and pub landlords Roger and Trudy and have all been up to since the last instalment! It’s both exciting and scary as you never quite know where things will take you, the characters definitely develop minds of their own.

This fourth novel opens in the run up to Christmas – Victoria’s first country Christmas in deepest Devon. Everyone’s getting festive, especially Trudy and the triplets and Victoria finds herself on a Christmas wreath-making course – ooh, I wonder where that idea came from?! Julia wanted to write about dastardly doings with a glue gun, but I managed to talk her out of that – I am too squeamish!

Dear old Albert is busy cooking again and ‘feeding’ his Christmas pudding. A local vineyard ensures there’s plenty of wine to lubricate the proceedings, but does it also contribute to two ‘accidental’ deaths? You’ll have to try and work that out for yourselves…

All your messages of encouragement (and nagging!) have been much appreciated and have helped keep Julia and myself motivated. We’ve both had a difficult couple of years and, while the writing project did take a while to come to the top of the ‘work’ pile, it was always in our minds. So, a big ‘thank you’ to all of you who love the characters and have been so patient in waiting for book four.

‘The Proof is in the Pudding’ will be available in Paperback and on Kindle mid-October and I promise to keep you posted on an exact launch date.

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