An elegant and stylish wedding card

I do like this wedding card – so, elegant and stylish. It’s from a demonstration I did when we launched the Age of Elegance CD recently.

I love the whole era of the arts and crafts movement and the late 19th century painters and designers. William Morris has been a passion of mine for many, many years. I’ve had curtains and table mats, tea towels and cushions… the list goes on! In fact, as I write this, I am sitting opposite some Golden Lily curtains – the original design is by William Morris and the fabric is by Sanderson.

This card has an unusual feature – a square/rectangle is cut using a decorative die and then you make a slot in both ends and slide a strip of card through – giving a lovely and unusual ‘buckle’ type effect, which I love.

One of the happy things after a wedding is always looking through the messages and cards you have been sent and I think with a card like this it would be kept forever, tucked into a box of happy memories!

 

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New baby – but is it a boy or a girl…?

I love happy news of new babies! Family is very important to me (and friends obviously) and we have two new members of the family due in the next few months and I am really looking forward to planning a nice gift and making cards. I know that my first grandchild, due in late October/early November, is a little girl, but the sex of my new nephew or niece is still unknown – so exciting! Of course, all that matters is that they are well and healthy but I always find it really exciting discovering the sex of the child.

When you have no idea whether it’s going to be a boy or a girl you need to go for something neutral if you want to plan ahead. This baby card uses a rubber stamp from the adorable Suzie’s Zoo range and is probably one of my favourite images in the collection. This image is just as suitable for a boy and a girl and can work just as well for bigger girls and boys too – singing in the rain is a great topic for a get well card too! This card has a blue ribbon and backing papers but you could use lemon or pale green if you need to be neutral.

This easel design is now considered one of the staples in card design and it does show off the design brilliantly. The other point I’d like to make is the embossing. If you haven’t tried using embossing folders in your card making yet, I would definitely encourage you to have a go as it produces wonderful textures that can make a massive difference to your project.

 

 

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Old-fashioned Christmas

“Christmas?” I hear you cry, “Has the woman lost the plot?” No, honestly, I haven’t! I just wanted to show you a couple of samples from the Victorian Christmas Card CD, in case any of you were planning to make lots of cards for charity or for general sale and needed to start early.

One section of this CD I would particularly like to point out to you is the Shaped Cards section on CD3. Here, you have a lovely selection of cards that are not the usual rectangular or square shape, but have little cutaways and other pretty devices to make small but stunning cards. With the cost of postage going up all the time I know there are many that want to make sure their Christmas cards are compact and the postage element is as inexpensive as possible.

These two cards are examples of the designs on the CDs. There are hundreds of pages to mooch through and, as we all know, deciding what to use is always a tough decision! Every topper has a backing paper and multiple inserts and stationery to match so there’s no excuse not to be totally co-ordinated this year!

The reason I like the more vintage designs is, I suppose, because I love remembering the Christmasses of my childhood when everything was just perfect! Of course it wasn’t, but my memories always tend to be viewed through rose tinted spectacles and perhaps that’s the best way for things to be!

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Blue and White for Christmas

This was my favourite of all the samples I had for the Christmas Patchwork Stamps when I launched them on Create and Craft last week. The great thing is you only need one ink pad – a nice denim blue. You could try Faded Jeans from the Tim Holtz distress inks but there are dozens of others.

The white base card is just under 8”square or 203mm. The first lot of stamping is done on a 6 ½” sq (165mm) piece of white card and to get the stamps nicely lined up, it is much easier to use the patchwork grid that we have put on the tuition section of our website for you to download free of charge. Follow the pattern and when that part is complete, edge it with some dashes to look like stitching, done with a fine liner pen.

Then create the next piece of card which is 4 ½” square (115mm) – again follow the pattern in the picture and edge it with faux stitching as above. Fix the two pieces onto the base card and then embellish with the central squares and some flowers.

This could look just as nice in red or green if you prefer more traditional Christmas colours.

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Holly Pond birthday card!

I couldn’t resist another card using the Holly Pond Hill CD. This really has been one of my pleasures this year, using and playing with this CD set. Here the image shows a really wonderful summer scene with a family having a fabulous summery picnic. Let’s hope the weather this year allows us to do the same!

The base card is cream and measures about 9 ½” x 6 ½” and you can make this by overlapping two sheets of card and then trimming to size. The backing papers are also on the CD and the twisted piece of baker’s twin just adds some texture without being as obvious as a ribbon!

I hope you have all had as much fun as I have with the Holly Pond series – more to come soon with Christmassy images and stamps!

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