Patchwork Fish!

This is a fun shaker card that has bubbles or snow inside the fishbowl! Shaker cards are simple to make once you have made your first one (I always found them really intimidating) and the swish of the ‘bubbles’ adds another dimension to the card.

The background patchwork paper is from the Joanna Sheen Paper Collections Pad (Volume 3) – there’s a blue version of this pink patchwork too – so pretty. The size of the card is 8” x 8”  – yes I use this card size a lot and love our own brand cards that size as they really are 8” x 8”, whereas most manufactured cards measure the envelope or have slight tolerances with size etc..

The shaker part is created like this:

  1. Take a piece of white card about 4” square and put to one side for now. Cut a piece slightly larger say 4 ¼” square. Stamp or die cut a fish bowl (Sue Wilson does one on the website CED21001) on the larger piece and attach to the centre of the card. Now cut away the centre of the fish bowl. Cover the back of the fish bowl with some acetate.
  2. Die cut some tropical fish (Signature dies Tropical Fish) in white card and colour as you please. Glue these onto the smaller piece of card, checking that you are happy with their placement by hovering the fishbowl over the top.
  3. Place a strip of foam tape all the way around the smaller piece of card – and I mean all the way around. Cracks between the corners can spell disaster. One way to combat this is to place a strip all round and then cover that strip with yet another but staggering where the cracks are.
  4. Now you need to cover the fish and sticky layers with your fishbowl square – do this carefully and leave a small gap once you have most of it covered – pour in your glitter or snow effect crystals or seed beads, whatever you want to use. Don’t add too much or you will just obscure the fish. Now seal down the last bit of tape.
  5. This can then be added to the card and should shake very satisfactorily!
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Tulip mania!

The humble tulip, so often seen wrapped up in cellophane on a garage forecourt, actually has a fascinating and exciting history that’s as good as any romantic novel!

It started life as a wild flower until it began being cultivated in Persia, probably in the 10th century. Rather sweetly, the name ‘tulip’ is thought to come from a Persian word for turban, which it may have been thought to resemble. It then carries on growing quietly, relatively unnoticed… but all that changed in the 1630s when the tulip became the ‘It girl’ of its era, an incredibly valuable commodity on which fortunes were made and lost.

Tulips finally came to the attention of the west in the sixteenth century, when diplomats to the Ottoman court observed and reported on them. Tulips were rapidly introduced into Europe and botanists started to hybridize the flower and they soon found ways of making even more decorative and tempting specimens. Hybrids and mutations of the flower were seen as rarities and a sign of high status – definitely the Burberry handbag of its day!

In the months of late 1636 to early 1637 there was a complete ‘Tulip mania’ in the Netherlands. The enthusiasm for the new tulips triggered a speculative frenzy and tulip bulbs became so expensive that they were treated as a form of currency, or rather, as futures. Some examples of the flower could cost more than a house in Amsterdam at this time.

There was an inevitable crash in prices in 1637, when people came to their senses and stopped purchasing the bulbs at such high prices. Throughout the 17th and 18th centuries, interest in the tulip remained, but the Dutch became the true connoisseurs and stockists. To this day, tulips are associated with the Netherlands, and the cultivated forms of the tulip are often called ‘Dutch tulips.’ The Netherlands has the world’s largest permanent display of tulips at the Keukenhof.

In their natural state tulips are adapted to mountainous areas with temperate climates. Flowering in the spring, they become dormant in the summer once the flowers and leaves die back, emerging above ground as a shoot from the underground bulb in early spring.

Nowadays, there are many different tulip varieties to choose from and you can still buy some of the original ‘wild’ varieties, often called ‘species’ tulips.

Not everyone loves tulips and not everyone seems to have much success growing them, I certainly don’t! Is it one of your favourites, or would you rather be presented with a bunch of something else?

 

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Good night bunny

I made this card some time ago and didn’t end up giving it away at all – do you get cards like that? I just loved it so much, I have it standing on my craft room window sill. I adore the Holly Pond Hill artwork, love cards with lace, love rabbits… OK you get the drift, I loved all the ingredients in this one!

So the main image comes from the Holly Pond Hill CD. There are so many beautiful ideas on there that can suit all ages. This rabbit saying its prayers is just delightful I think.

The first thing I wanted to solve when I made this card (before the days when I had die cut lace borders to call on!) was how to get some pretty lace behind the main image. This I have achieved by using a lace handkerchief. Take a panel of cream/white,whatever you choose, card measuring 5 1/2” x 7 1/2” now take a standard lace hanky and gather the middle together – in the end I chopped out a bit of the middle to give a less bumpy effect – and arrange it so that it goes neatly around the panel. I used lots of double sided tape, glue gel and anything else that came to hand kicking it into neat submission!

The main image is mounted onto some lilac card to give it a bit of strength and then I added that using Pinflair as the lumps and bumps are easily coped with when you use a 3D type glue!

The backing paper comes on the CD and I cut a few bunnies from the leftover strip to decoupage those – ta–da… card finished!

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A murmuration…

If you have ever been lucky enough to see a murmuration of starlings – where the birds swoop and swirl in amazing aerial ballet creating patterns in the sky – it’s not something you are likely to forget. But have you ever wondered why it is called a ‘murmuration’?

You were probably too enchanted by the magical sight to notice the ongoing background murmur – or murmuration – as caused by the beating of 10,000 pairs of wings at once. And that’s where the term comes from. Most of the collective nouns we use date back to the mid-15th century. But the origins of most collective bird and animal nouns are not always as straightforward as they first appear.

Some are named after specific habits, such as ‘a descent of woodpeckers’, possibly due to their penchant for dropping down from great heights onto ants or ‘a leap of leopards’ or ‘a busyness of ferrets’ while others focus on a personality trait that we believe them to possess.

For instance, the number of sinister sounding nouns for crows, such as murder, mob and horde, probably come from medieval peasants’ fears that the mean-looking birds had been sent by the Devil or were witches in disguise.

Similarly, ‘an unkindness of ravens’ could stem from an old misguided belief that the birds were not caring parents, sometimes expelling their young from their nests before they were ready.

Many bird species have more than one collective noun. As with crows, there are many terms to describe finches (charm, trembling and trimming) and geese, depending on whether they’re flying (skein, wedge, nide) or gathered on water (plump) or land (gaggle).

A book by Chloe Rhodes An Unkindness of Ravens: A Book of Collective Nouns is fascinating. In it she explains that, unlike proverbs, rhymes or homilies, many of these delightful names endure because they were recorded and published in ‘Books of Courtesy’ – handbooks designed to educate the nobility. So an early sort of ‘one upmanship’ to ensure you made it plain you belonged to the ‘right’ set, something like the Sloane Ranger speak of the 1980s perhaps!

Here are some of my favourite bird terms:

  • A wake of buzzards
  • A commotion of coots
  • A murder of crows
  • An asylum of cuckoos
  • A swatting of flycatchers
  • A prayer of godwits
  • A conspiracy of ravens
  • A parliament of rooks
  • An exultation of skylarks
  • A murmuration of starlings
  • A chime of wrens
  • A booby of nuthatches
  • A quilt of eiders
  • A mischief of magpies
  • A wisdom of owls
  • A committee of terns
  • A descent of woodpeckers
  • A scold of jays
  • A charm of goldfinches
  • A fall of woodcock
  • A deceit of lapwings
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Birthday Brollies and Boots!

I thought these cards paired rather well together – brollies and boots – British weather and all that. So one card features rain clouds (we may just have had some of those this summer) and the other the pretty lacy wellies in the Signature Die collection.

First, the sweet little card that uses an image from the Donald Zolan (pad 2) collection. She’s a dear little girl and I love the children’s innocence in his artwork. The card measures 8 inches square and uses the Signature dies Lace Parasol die. The clouds are from the Signature Dies ‘Weather Forecast’ die, as are the raindrops.

The other card is also 8 inches square and uses backing papers from our backing paper collection (Volume 3) and then obviously the Wellies using the Signature die ‘Lacy Wellington’. The flower pots are also die cut (SD025 Flower Pots) and then pieces snipped from Signature dies Climbing Rose and Trailing Ivy filled up the pots!

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